Excerpt from Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin
This is an excerpt from the book Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin.
Ichigo, though it was not yet called Ichigo, was supposed to be easy. Something that Sam and Sadie could accomplish during the summer between their junior and senior years.
Although the idea that the two of them should make a game together had been foremost in his thoughts since playing Solution in December, Sam did not broach the subject with her until March. It was unlike Sam to show such restraint, but he intuited that he needed to proceed slowly. She had been occupied with schoolwork, having fallen behind in her classes because of that dark month, the cause of which was still a mystery to Sam. The terse explanation she’d given for her depression was a “bad breakup.” Sam felt it had to be more than that, but out of respect for her, he did not push her to elaborate. They had the rare kind of friendship that allowed for a great deal of privacy within it. One of the reasons they had become such good friends originally was because she had not insisted he tell his sad stories to satisfy her own curiosity. The least he could do was return the favor.
The other thing stopping him was how much he was enjoying having Sadie’s fellowship again. The two of them had easily slipped back into the rhythms of their friendship, and they saw each other several times a week for movies, meals, games. He felt fortified in her presence. His arguments and observations were sharper. He was less aware of the brutal New England cold than he had been in the two winters he’d spent without Sadie, and the constant, low-level pain in his foot was less central to his thoughts. When he walked with her, he even dreaded the cobblestones less. Most of the time, Sam did not experience himself as disabled, but the cobblestones, the ice, and the glacial pace at which he had to negotiate them suggested otherwise. If it had snowed, and depending on where the class was located, Sam would sometimes have to leave for class forty-five minutes early, hobbling across campus like an emeritus professor. As he had not considered himself to be disabled, the California boy had not factored in any of this when he’d decided to go to school in the Northeast.
Retrospectively, he realized that he had made a grave miscalculation when he had ended the friendship with Sadie. His mistake had been in thinking the world would be filled with Sadie Greens, people like her. It was not. His high school certainly hadn’t been. He had held out some hope that Harvard might be, but the college had proven especially disappointing on this front. There were smart people, yes. There were people with whom you might have a decent conversation for twenty minutes. But to find someone who you wanted to talk to for 609 hours—that was rare. Even Marx—Marx was devoted, creative, and bright, but he was not Sadie.
Sam decided that March was the cutoff point to convince Sadie to make a game. The high achievers who went to Harvard and MIT had usually settled their summer plans by March, if not earlier. On a personal level, Sam felt an urgency to that summer. In a year, give or take, student loans would come due—Harvard was need-blind (that was significantly why he had chosen it), but even his generous financial aid package didn’t cover everything. He didn’t owe much, but he couldn’t conceive of asking Dong Hyun and Bong Cha to help with his loans, and he had not gone to Harvard to be a poor person. He had slowly begun to accept the truth of what Anders Larsson had said to him. Sam did not love higher math, there was no Fields Medal in his future, and there was no way it made sense for Sam to take on more debt to get a graduate degree in mathematics. Most likely, he would have to take a job working in tech, finance, or related consultancies—this was what most of his peers did. The way he put it to Marx: “This summer is my last chance to do something truly grand.”
One of Sam’s eventual strengths as an artist and as a businessman was that he knew the importance of drama, of setting the scene. He wanted to ask her to work with him at a special place—the occasion of their prospective creative union should be memorable. Even then, he felt that if they made a game, and if the game became what he knew it could be, he would want there to be a story about the day Sam Masur and Sadie Green had decided to work together. He was already imagining Sam-and-Sadie lore, and he didn’t even have a definitive idea for a game yet. But this was classic Sam—he had learned to tolerate the sometimes-painful present by living in the future.
The way he saw it, he would be proposing to Sadie. He would be getting down on one knee and saying, “Will you work with me? Will you give me your time, and will you trust my hunch that this time will be well spent? Will you believe that we could make great things together?” For all his natural arrogance, he did not assume that she would say yes.
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Tomorrow and Tomorrow and Tomorrow – Summary
Here is the book summary from Goodreads:
In this exhilarating novel by the best-selling author of The Storied Life of A. J. Fikry two friends–often in love, but never lovers–come together as creative partners in the world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality.
On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn’t heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won’t protect them from their own creative ambitions or the betrayals of their hearts.
Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.
Copyright © 2022 by Gabrielle Zevin.
You can find more details here on Goodreads and on StoryGraph.
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