Women in Translation: 5 books from Southeast Asian women

This month, August, is a chance to celebrate women in translation, specifically women authors who’s works have been translated. There’s so much good translated literature out there. For this month, I’ll be sharing some inspiration for women authors from around the world who have had their work translated into English.

I know a lot of people read works translated from English into their own language, and there’s so many languages that works need to be translated into. But since I only read in English, I’m going to be highlighting works that have been translated into English.


This week we’ll be visiting Southeast Asia, which usually consists of countries including: Thailand, Malaysia, Singapore, Laos, Cambodia, Myanmar, and Indonesia.

I find that these countries are less likely to be included in lists of translated literature, which makes me feel like it’s even more important to highlight books from this region.

When it is difficult to find women authors from specific countries, it makes me wonder how much we are missing out on. Every country has talented authors, with incredible stories to tell. And it breaks my heart that certain countries are just seen as not a priority for the publishing world.

But the more that people take time to notice and show interest in these countries, the more likely that publishing world will also pay attention. After all, publishing is still a market, so where there is demand, there will be a supply. So let’s create the demand.

Five books from Southeast Asian women

Here’s a list of five books with women authors from Southeast Asia.

  1. Vietnam: Paradise of the Blind by Dương Thu Hương (1988)
  2. Malaysia: The Age of Goodbyes by Li Zi Shu (2010)
  3. Thailand: The Blind Earthworm in the Labyrinth by วีรพร นิติประภา (Veeraporn Nitiprapha) (2013)
  4. Vietnam: Mãn by Kim Thúy (2013)
    Vietnam
  5. Indonesia: Apple & Knife by Intan Paramaditha (2018)

Keep reading to find out more about each one. I’ve ordered them based on the year they were published in their original language (not the year of the English translation).

Paradise of the Blind (1988)

by Dương Thu Hương Translated by Nina McPherson & Phan Huy Đường

  • Year Published: 1988
    English version in 2002
  • Storygraph Categories:
    fiction, historical, emotional, reflective, slow-paced
  • Language: Vietnamese
  • Country: Vietnam
  • Currently banned in Vietnam

Paradise of the Blind is an exquisite portrait of three Vietnamese women struggling to survive in a society where subservience to men is expected and Communist corruption crushes every dream. Through the eyes of Hang, a young woman in her twenties who has grown up amidst the slums and intermittent beauty of Hanoi, we come to know the tragedy of her family as land reform rips apart their village. When her uncle Chinh‘s political loyalties replace family devotion, Hang is torn between her mother‘s appalling self–sacrifice and the bitterness of her aunt who can avenge but not forgive. Only by freeing herself from the past will Hang be able to find dignity –– and a future.

Links:

The Age of Goodbyes (2010)

by Li Zi Shu, translated from Chinese by Y.Z. Chin

  • Year Published: 2010
    English version in 2022
  • Storygraph Categories:
    fiction, literary, emotional, mysterious, reflective, medium-paced
  • Language: Chinese
  • Country: Malaysia

By one of Southeast Asia’s most exciting writers, The Age of Goodbyes is a wildly inventive account of family history, political turmoil, and the redemptive grace of storytelling.

In the summer of 1969, in the wake of Malaysia’s deadliest race riots, a woman named Du Li An secures her place in society by marrying a gangster. In a parallel narrative, a critic known only as The Third Person explores the work of a writer also named Du Li An. And a third storyline is in the second person; “you” are reading a novel titled The Age of Goodbyes. Floundering in the wake of “your” mother’s death, “you” are trying to unpack the secrets surrounding “your” lineage.

The Age of Goodbyes—which begins on page 513, a reference to the riots of May 13, 1969—is the acclaimed debut by Li Zi Shu. The winner of multiple awards and a Taiwanese bestseller, this dazzling novel is a profound exploration of what happens to personal memory when official accounts of history distort and render it taboo.

Links:

The Blind Earthworm in the Labyrinth (2013)

by วีรพร นิติประภา (Veeraporn Nitiprapha), translated by: Kong Rithdee

  • Year Published: 2013
    English version in 2018
  • Storygraph Categories:
    fiction, literary, magical realism, emotional, slow-paced
  • Language: Thai
  • Country: Thailand
  • Won the prestigious South East Asian Writers (“S.E.A. Write”) Award for fiction and a best-seller in Thailand

On the day Chareeya is born, her mother discovers her father having an affair with a traditional Thai dancer. From then on, Chareey’s life is fated to carry the weight of her parents’ disappointments. She and her sister grow up in a lush riverside town near the Thai capital, Bangkok, captivated by trashy romance novels, classical music and games of make-believe. When the laconic orphan, Pran, enters their world, he unwittingly lures the sisters into a labyrinth of their own making as they each try to escape their intertwined fates.

The original Thai language edition of The Blind Earthworm in the Labyrinth won the prestigious South East Asian Writers (“S.E.A. Write”) Award for fiction and was best-seller in Thailand. It is translated into English by Thai film critic and recipient of France’s Chevalier dans I’Ordre des Arts et des Lettres, Kong Rithdee.

Attuned to the addictive rhythms of a Thai soap opera and written with the consuming intensity of a fever dream, this novel opens an insightful and truly compelling window onto the Thai heart.

Links:

Mãn (2013)

by Kim Thúy, translated from French by Sheila Fischman

  • Year Published: 2013
    English version in 2014
  • Storygraph Categories:
    fiction, literary, emotional, reflective, slow-paced
  • Language: French
  • Country: Vietnam & Canada
  • Kim Thuy is a Vietnamese-born Canadian writer, whose debut novel Ru won the Governor General’s Award for French-language fiction at the 2010 Governor General’s Awards

Mãn has three mothers: the one who gives birth to her in wartime, the nun who plucks her from a vegetable garden, and her beloved Maman, who becomes a spy to survive. Seeking security for her grown daughter, Maman finds Mãn a husband – a lonely Vietnamese restaurateur who lives in Montreal.

Thrown into a new world, Mãn discovers her natural talent as a chef. Gracefully she practices her art, with food as her medium. She creates dishes that are much more than sustenance for the body: they evoke memory and emotion, time and place, and even bring her customers to tears.

Mãn is a mystery – her name means ‘perfect fulfillment’, yet she and her husband seem to drift along, respectfully and dutifully. But when she encounters a married chef in Paris, everything changes in the instant of a fleeting touch, and Mãn discovers the all-encompassing obsession and ever-present dangers of a love affair.

Full of indelible images of beauty, delicacy and quiet power, Mãn is a novel that begs to be savoured for its language, its sensuousness and its love of life.

Links:

Apple & Knife (2018)

by Intan Paramaditha, translated by Stephen J. Epstein

  • Year Published: 2018
  • Storygraph Categories:
    fiction, horror, short stories, dark, medium-paced
  • Language: Bahasa Indonesia
  • Country: Indonesia
  • You may want to check content warnings before reading

Inspired by horror fiction, myths and fairy tales, Apple and Knife is an unsettling ride that swerves into the supernatural to explore the dangers and power of occupying a female body in today’s world.

These short fictions set in the Indonesian everyday—in corporate boardrooms, in shanty towns, on dangdut stages—reveal a soupy otherworld stewing just beneath the surface. Sometimes wacky and always engrossing, this is subversive feminist horror at its best, where men and women alike are arbiters of fear, and where revenge is sometimes sweetest when delivered from the grave.

Mara finds herself brainstorming an ad campaign for Free Maxi Pads, with a little help from the menstruation-eating hag of her childhood. Jamal falls in love with the rich and powerful Bambang, but it is the era of the smiling general and, if he’s not careful, he may find himself recruited to Bambang’s brutal cause. Solihin would give anything to make dangdut singer Salimah his wife – anything at all.

In the globally connected and fast-developing Indonesia of Apple and Knife, taboos, inversions, sex and death all come together in a heady, intoxicating mix full of pointed critiques and bloody mutilations. Women carve a place for themselves in this world, finding ways to subvert norms or enacting brutalities on themselves and each other.

Links:


Final thoughts

I hope you found something of interest in this list of books written by Southeast Asian authors.

I’m always looking for more suggestions of books to read. If you have a favourite book written by a Southeast Asian author, please feel free to share it in a comment below!

Have you read any of these books? What did you think of the book?

I’d love to hear your thoughts in a comment below.

Around the world in books: Five books from Thai authors

The month of May is often an opportunity to celebrate Asian and Pacific Islander people and their heritage. In America the month is called Asian American and Pacific Islander Heritage Month and in Canada it’s called Asian Heritage Month. For this month, I’ll be sharing books by Asian authors.


Have you ever wanted to visit Thailand? Here’s your chance to visit Thailand through reading!

Thailand is a really common tourist destination, but unfortunately there’s a limited number of works translated from Thai. Translating any work is a very time consuming and expensive process, requiring incredible skills in two languages.

Publishers are unlikely to put the time and effort into translating a book when they are unsure if the book will have an audience or do well financially. However, this can cause a negative cycle, where there’s so few options that people are unaware of Thai literature, causing lower demand and reinforcing a lack of access.

Some countries disrupt the cycle by providing funding for translations and increasing access, helping to develop a demand for their literature. South Korea and Japan are great examples of this. Their governments provide significant funding to support translators and translations of literary works, which has greatly increased global access to their literature. You can see this whenever you look up recommendations for translated Asian literature, the majority of the suggestions will be Korean and Japanese. Increasing access has also increased demand.

However, not all governments are able to or have chosen to provide funding for translation. But we can choose to promote and show our support for literature in languages, like Thai, that have fewer translated works. We can show support by buying and reading these books, and just increasing awareness and interest by talking about them.

This is an opportunity to show some support for Thai literature!

Photo by Evan Krause on Unsplash

Five books from Thai authors

Here’s a list of five books with authors from Thailand. All but one have been translated from Thai.

  1. The Judgement by ชาติ กอบจิตติ (Chart Korbjitti)
  2. Moving Parts by ปราบดา หยุ่น (Prabda Yoon)
  3. Bright by เดือนวาด พิมวนา (Duanwad Pimwana)
  4. The Blind Earthworm in the Labyrinth by วีรพร นิติประภา (Veeraporn Nitiprapha)
  5. A Good True Thai by Sunisa Manning

Keep reading to find out more about each one. I’ve listed them in order of publication date in their original language (the English version typically gets published much later).

1. The Judgement (1981)

by ชาติ กอบจิตติ (Chart Korbjitti), translated by Phongdeit Jiangphatthana-Kit & Marcel Barang

  • Year Published: 1981 (English version in 2003)
  • Storygraph Categories:
    fiction, reflective, medium-paced
  • Won the 1982 South East Asian Writers (“S.E.A. Write”) Award

Summary:

This is the story of a young man who took as his wife a widow who was slightly deranged. The story would probably have ended there had the widow not been his father’s wife…

Fak is the humble janitor of a provincial temple school. A former novice with the prospect of an outstanding career as a monk, he defrocks to help his ageing, struggling father. While Fak is in the army, his father takes a wife. When the old man dies, Fak shares his hut with the widow. As he repels her advances and protects her from a hostile community, he falls prey to prejudice and misunderstandings from his neighbours, and there is nothing he can do to overturn the people’s judgment. He finds solace in alcohol, which ‘liberates’ him by providing oblivion…

Links:

2. Moving Parts (2002)

by ปราบดา หยุ่น (Prabda Yoon), translated by Mui Poopoksakul

  • Year Published: 2002 (English version in 2018)
  • Storygraph Categories: fiction, short stories, challenging, dark, reflective, medium-paced
  • ปราบดา หยุ่น (Prabda Yoon) won the 2002 S.E.A. Write Award for another book of his short stories

Summary:

Surreal and puncturing short stories from the Thai master of the form.

In a pink-walled motel, a teenage prostitute brings a grown man to tears. A love-struck young boy holds the dismembered hand of his crush, only to find himself the object of a complex ménage à trois. A naked body falls from the window of a twenty-story building, while two female office-workers offer each other consolation in the elevator…

In these wry and unsettling stories, Prabda Yoon once again illuminates something of the strangeness of modern cultural life in Bangkok. Disarming the reader with surprising charm, intensity and delicious horror, he explores what it means to have a body, and to interact with those of others.

Supported by English PEN Translates.

Links:

3. Bright (2003)

by เดือนวาด พิมวนา (Duanwad Pimwana), translated by Mui Poopoksakul

  • Year Published: 2003 (English version in 2019)
  • Storygraph Categories: fiction, literary, hopeful, reflective, sad, medium-paced
  • Honorable mention in the Global Humanities Translation Prize
  • เดือนวาด พิมวนา (Duanwad Pimwana) is an important women’s voice in contemporary Thai literature

Summary:

When five-year-old Kampol is told by his father to wait for him in front of some run-down apartment buildings, the confused boy does as told―he waits, and waits, and waits, until he realizes his father isn’t coming back anytime soon. Adopted by the community, Kampol is soon being raised by figures like Chong the shopkeeper, who rents out calls on his telephone and goes into debt while extending his customers endless credit. Kampol also plays with local kids like Noi, whose shirt is so worn that it rips right in half, and the sweet, deceptively cute toddler Penporn.

Dueling flea markets, a search for a ten-baht coin lost in the sands of a beach, pet crickets that get eaten for dinner, bouncy ball fads in school, and loneliness so merciless that it kills a boy’s appetite all combine into Bright, the first-ever novel by a Thai woman to appear in English translation. Duanwad Pimwana’s urban, and at times gritty, vignettes are balanced with a folk-tale-like feel and a charmingly wry sense of humor. Together, these intensely concentrated, minimalist gems combine into an off-beat, highly satisfying coming-of-age story of a very memorable young boy and the age-old legends, practices, and personalities that raise him.

Links:

4. The Blind Earthworm in the Labyrinth (2013)

by วีรพร นิติประภา (Veeraporn Nitiprapha), translated by Kong Rithdee

  • Year Published: 2013 (English version in 2018)
  • Storygraph Categories: fiction, literary, magical realism, emotional, slow-paced
  • Won the S.E.A. Write Award for fiction and a best-seller in Thailand

Summary:

On the day Chareeya is born, her mother discovers her father having an affair with a traditional Thai dancer. From then on, Chareey’s life is fated to carry the weight of her parents’ disappointments. She and her sister grow up in a lush riverside town near the Thai capital, Bangkok, captivated by trashy romance novels, classical music and games of make-believe. When the laconic orphan, Pran, enters their world, he unwittingly lures the sisters into a labyrinth of their own making as they each try to escape their intertwined fates.

The original Thai language edition of The Blind Earthworm in the Labyrinth won the prestigious South East Asian Writers (“S.E.A. Write”) Award for fiction and was best-seller in Thailand. It is translated into English by Thai film critic and recipient of France’s Chevalier dans I’Ordre des Arts et des Lettres, Kong Rithdee.

Attuned to the addictive rhythms of a Thai soap opera and written with the consuming intensity of a fever dream, this novel opens an insightful and truly compelling window onto the Thai heart.

Links:

5. A Good True Thai (2020)

by Sunisa Manning

  • Year Published: 2020
  • Storygraph Categories: fiction, contemporary, challenging, informative, reflective, slow-paced
  • Finalist for the 2020 Epigram Books Fiction Prize

Note, this is not translated, it was originally written in English. The author, Sunisa Manning, was born and raised in Bangkok by Thai and American parents. She also studied in the USA, and has a Bachelors degree in English Literature from Brown University and an MFA (Master’s in Fine Arts) in Creative Writing from Vermont College of Fine Arts.

Summary:

In 1970s Thailand, three young people meet each other with fateful results.

Det has just lost his mother, the granddaughter of a king. He clings to his best friend Chang, a smart boy from the slums, as they go to college; while there, Det falls for Lek, a Chinese immigrant with radical ideals. Longing for glory, Det journeys into his friends’ political circles, and then into the Thai jungle to fight. During Thailand’s most famous period of political and artistic openness, these three friends must reconcile their deep feelings for one another with the realities of perilous political revolution.

Links:


Final thoughts

I love reading translated fiction because it gives you such insight to the way different people live. You may struggle with not recognizing names or terms of things that are uncommon in your country, but you can always do a quick search to find out what it means.

I hope this list serves as inspiration for one of the books you’ll read in the future.

Have you read any of these books? What did you think of the book?

I’d love to hear your thoughts in a comment below.

Holding hands

Excerpt from Moving Parts by Prabda Yoon (ปราบดา หยุ่น)

Photo by Farrinni | Accessed on Unsplash.com

This is an excerpt from the book Moving Parts by Prabda Yoon (ปราบดา หยุ่น), translated by Mui Poopoksakul.

“Can I hold your hand?” Just last Saturday evening, the boy had gone to see a movie, and he’d picked up the line from a cutesy love scene.

The girl sat there awhile, charmed by the idea, before she gave her answer with enthusiasm: “Sure, take it.”

She gave him her left hand.

He took it nervously.

And then the girl sprinted off, disappearing into the luscious glow of the evening sun, leaving the boy to sit there in a tangle of emotions, staring at the third hand he held in his right hand. No one had ever given him their hand so nonchalantly before. Happy? Sure, he could say he was happy, because he’d had a secret crush on the girl for months. Being in possession of her hand surely meant that he’d managed to chisel away a few layers of brick from the wall separating their personal spaces.

But the happiness dissipated in no time, replaced instead by anxiety.

He didn’t know how to behave toward the girl’s hand no that he had it.

As the dusky sky set in, the boy decided to go home.

“Hurry up and have a shower, sweetie. I’ve got dinner ready,” his mother caught sight of him coming in just after she heard the front door shut. She was standing in the kitchen, peeling yellow-fleshed oranges. Her eyes toggled back and forth very quickly from her son to the fruit, but she was eagle-eyed enough to spot the foreign object in his hand. She immediately did a double take, turning her head with a whoosh. “And whose hand have you got there, huh?”

“A friend from school’s, Mom.” Although his account was not precisely truthful, it didn’t quite fall under the category of a lie either. But when he added out of nervousness that “sh—he lent it to me”, well, now he was toeing a mighty fine line between sin and innocence.

Have you read this book? I’d love to hear your thoughts in a comment below!

Moving Parts – Summary

Here is the book summary from Goodreads:

Surreal and puncturing short stories from the Thai master of the form.

In a pink-walled motel, a teenage prostitute brings a grown man to tears. A love-struck young boy holds the dismembered hand of his crush, only to find himself the object of a complex ménage à trois. A naked body falls from the window of a twenty-story building, while two female office-workers offer each other consolation in the elevator…

In these wry and unsettling stories, Prabda Yoon once again illuminates something of the strangeness of modern cultural life in Bangkok. Disarming the reader with surprising charm, intensity and delicious horror, he explores what it means to have a body, and to interact with those of others.

Copyright © 2002 by Prabda Yoon (ปราบดา หยุ่น).

Translated by: Mui Poopoksakul.

More details can be found on Goodreads and on StoryGraph.