If our stories were…

This is a quote from the book How to Be Eaten by Maria Adelmann.

Quote by Maria Adelmann, “If our stories were up for public consumption, then the least we could do was tell them ourselves.”

Have you read this book? I’d love to hear your thoughts in a comment below!

If you’re interested, you can read an excerpt from the book here.

How to Be Eaten – Summary

Here is the book summary:

This darkly funny and provocative novel reimagines classic fairy tale characters as modern women in a support group for trauma.

In present-day New York City, five women meet in a basement support group to process their traumas. Bernice grapples with the fallout of dating a psychopathic, blue-bearded billionaire. Ruby, once devoured by a wolf, now wears him as a coat. Gretel questions her memory of being held captive in a house made of candy. Ashlee, the winner of a Bachelor-esque dating show, wonders if she really got her promised fairy tale ending. And Raina’s love story will shock them all.

Though the women start out wary of one another, judging each other’s stories, gradually they begin to realize that they may have more in common than they supposed . . . What really brought them here? What secrets will they reveal? And is it too late for them to rescue each other?

Dark, edgy, and wickedly funny, this debut for readers of Carmen Maria Machado, Kristen Arnett, and Kelly Link takes our coziest, most beloved childhood stories, exposes them as anti-feminist nightmares, and transforms them into a new kind of myth for grown-up women.

Copyright © 2022 by Maria Adelmann.

You can find more details here on Goodreads and on StoryGraph.

Absolute Honesty

Excerpt from How to Be Eaten by Maria Adelmann

Photo by Olga Tutunaru on Unsplash

This is an excerpt from the book How to Be Eaten by Maria Adelmann.

Will is the group leader, the only man. He is unobtrusively but certainly handsome—a full head of brown hair; soft, kind eyes flecked with green; a blue button-down that accentuates an athletic figure, the cuffs rolled up at the forearms. His demeanor suggests benevolent authority, like a young high school teacher, the one everyone likes.

He had vetted each member of the group individually in a screening interview, then assured more than one in a post-screening phone call that, though he hadn’t predicted the group would be all-female, he was still the person for the job, aware of and sensitive to their unique needs.

He does seem attentive, the women think as Will scans the circle, stopping to acknowledge each group member, tiny personal checkins punctuated with encouraging smiles. His teeth are a tabula rasa of whiteness. When the women look at them, they each see somthing different. Bernice recalls the bone-white inlay of a bright blue dresser. Ashlee sees the glint of her own engagement ring. Gretel sees hard candy winking in sun. Raina sees her husband’s smile, all veneer.

Should the teeth be a tip-off? After all, they have already laid their fortunes in the hands of the most obvious psychopaths—billionaires and reality TV producers, metaphorical witches and literal wolves. Perhaps the women should wonder if something is amiss. Especially since one of them, yet to arrive, had already made a substantial error with regard to teeth.

Ashlee sighs loudly and looks around the room for a clock, though there isn’t one. Just as she’s about to ask for the time, a high-heel clatter comes echoing down the hall, louder and louder until the door bursts open and Ruby, the final group member, careens into the room. She stops midway between the door and the group to catch her breath. “Sorry, sorry,” she says. Her face is bright red and sweaty. Her lips are picked raw. Her hair is a disaster: much of it is stuck to the sweaty sides of her face; the rest of it hangs down to her shoulders in a tangle. An old pink dye job clings to the bottom three inches. Her clear-framed glasses, the lenses comically smudged, slip down her nose. Just as they seem poised to fall off, she pushes them back up.

It’s no wonder she’s sweating. She’s wearing a massive fur coat: gray with dirt and ridiculous in the summer heat. It hangs open, framing a red top and a black pleather skirt, revealing the coat’s worn beige silk lining. A thick lapel extends to a hood that’s fallen on her back. The sleeves are so long that only the ragged chewed tips of her fingers peek out.

She wipes the sweat from her brow with a furry sleeve, smudging a greasy tint of gray across her forehead, and squints around the circle. “Name tags!” she says, and clacks to the snack table to fill out her own.

When she spins back to the group, a chocolate chip cookie is shoved halfway in her mouth. The name tag rides along the hairs of the coat. LIL RED, it read in smudge all-caps. then, in smaller letters below: RUBY. She latches an arm around a chair and squeezes in between Ashlee and Raina. Ashlee wrinkles her nose.

“Welcome,” says Will, clapping his hands on his thighs. His voice is as calm and clear as a podcaster’s, comforting yet with an air of gravitas. He has the impressive ability, as he speaks, to keep scanning the circle, surveying the group, like a phone constantly checking for a signal.

He reiterates why they’re here, gives them the spiel they’ve each heard individually, about the groundbreaking preliminary research on narrative therapy, about how each week one woman will take the lead, tell her story, and the others will listen and react.

He reminds them that they are unique. they’ve each been through a trauma that played out, in some way, publicly. “People know of you, but do they know you?” he asks. No, they concur, shaking their heads, people don’t know them at all.

He reminds them of the conditions they’ve agreed to in documents they signed prior to group. They should be present and participatory—no missing meetings, no lateness (he looks at Ruby with a smile), no phones allowed. Above all, they must be completely and absolutely honest. No lies, not even white lies, not even lies by omission. No holding back. He calls this “Absolute Honesty.” He explains that a natural by-product of Absolute Honesty is tension and conflict. In this sense, conflict, like a fever, is a sign that things are working, and should be embraced as part of the process.

“It’s not going to be easy,” he tells them, “but if you stay open and do the work” —he spreads his arms wide, as if in benediction— “you’re going to learn more about yourselves than you ever imagined.” He lets the words linger, then his arms drop.

“Big sell,” says Ruby though a mouthful of cookie. “Let’s just get the show on the road.”

Have you read this book? I’d love to hear your thoughts in a comment below!

How to Be Eaten – Summary

Here is the book summary:

This darkly funny and provocative novel reimagines classic fairy tale characters as modern women in a support group for trauma.

In present-day New York City, five women meet in a basement support group to process their traumas. Bernice grapples with the fallout of dating a psychopathic, blue-bearded billionaire. Ruby, once devoured by a wolf, now wears him as a coat. Gretel questions her memory of being held captive in a house made of candy. Ashlee, the winner of a Bachelor-esque dating show, wonders if she really got her promised fairy tale ending. And Raina’s love story will shock them all.

Though the women start out wary of one another, judging each other’s stories, gradually they begin to realize that they may have more in common than they supposed . . . What really brought them here? What secrets will they reveal? And is it too late for them to rescue each other?

Dark, edgy, and wickedly funny, this debut for readers of Carmen Maria Machado, Kristen Arnett, and Kelly Link takes our coziest, most beloved childhood stories, exposes them as anti-feminist nightmares, and transforms them into a new kind of myth for grown-up women.

Copyright © 2022 by Maria Adelmann.

You can find more details here on Goodreads and on StoryGraph.

A kind of dazed horror

This is a quote from the book Someone Like You by Roald Dahl. As this is a collection of short stories, the quote comes from the story ‘Lamb to the Slaughter.’

Quote by Roald Dahl, “And he told her. It didn’t take long, four or five minutes at most, and she sat very still through it all, watching him with a kind of dazed horror as he went further and further away from her with each word.”

Have you read this book? I’d love to hear your thoughts in a comment below!

If you’re interested, you can read an excerpt from the book here.

I should note, Roald Dahl is a problematic author, there have been quite a few instances of discriminatory language and behaviour from him. In no way do I support or endorse any of those views. I do enjoy his work that I’ve read and some of his short stories got me back into reading. If you prefer to avoid all problematic authors, I completely understand.

Someone Like You – Summary

Here is the book summary:

In Someone Like You are fifteen classic tales told by the grand master of the short story, Roald Dahl.

Here, in Roald Dahl’s first collection of his world famous dark and sinister adult stories, a wife serves a dish that baffles the police; a harmless bet suddenly becomes anything but; a curious machine reveals a horrifying truth about plants; and a man lies awake waiting to be bitten by the venomous snake asleep on his stomach.

Through vendettas and desperate quests, bitter memories and sordid fantasies, Roald Dahl’s stories portray the strange and unexpected, sending a shiver down the spine.

Copyright © 1953 by Roald Dahl.

You can find more details here on Goodreads and on StoryGraph.

A leg of lamb

Excerpt from Someone Like You by Roald Dahl

This is an excerpt from the book Someone Like You by Roald Dahl. As this is a collection of short stories, the quote comes from the story ‘Lamb to the Slaughter.’

I should note, Roald Dahl is a problematic author, there have been quite a few instances of discriminatory language and behaviour from him. In no way do I support or endorse any of those views. I do enjoy his work that I’ve read and some of his short stories got me back into reading. If you prefer to avoid all problematic authors, I completely understand.

The room was warm and clean, the curtains drawn, the two table lamps alight – hers and the one by the empty chair opposite. On the sideboard behind her, two tall glasses, soda water, whisky. Fresh ice cubes in the Thermos bucket.

Mary Maloney was waiting for her husband to come home from work.

Now and again she would glance up at the clock, but without anxiety, merely to please herself with the thought that each minute gone by made it nearer the time when he would come. There was a slow smiling air about her, and about everything she did. The drop of the head as she bent over her sewing was curiously tranquil. Her skin – for this was her sixth month with child – had acquired a wonderful translucent quality, the mouth was soft, and the eyes, with their new placid look seemed larger, darker than before.

When the clock said ten minutes to five, she began to listen and a few moments later, punctually as always, she heard the tyres on the gravel outside, and the car door slamming, the footsteps passing the window, the key turning in the lock. She laid aside her sewing, stood up, and went forward to kiss him as he came in.

‘Hullo, darling,’ she said.

‘Hullo,’ he answered.

She took his coat and hung it in the closet. Then she walked over and made the drinks, a strongish one for him, a weak one for herself; and soon she was back again in her chair with the sewing, and he in the other, opposite, holding the tall glass with both his hands, rocking it so the ice cubes tinkled against the side.

For her, this was always a blissful time of day. She knew he didn’t want to speak much until the first drink was finished, and she, on her side, was content to sit quietly, enjoying his company after the long hours alone in the house. She loved to luxuriate in the presence of this man, and to feel – almost as a sunbather feels the sun – that warm male glow that came out of him to her when they were alone together. She loved him for the way he sat loosely in a chair, for the way he came in a door, or moved slowly across the room with long strides. She loved the intent, far look in his eyes when they rested on her, the funny shape of the mouth, and especially the way he remained silent about his tiredness, sitting still with himself until the whisky had taken some of it away.

‘Tired, darling?’

‘Yes,’ he said. ‘I’m tired.’ And as he spoke he did and unusual thing. He lifted his glass and drained it in one swallow although there was still half of it, at least half of it, left. She wasn’t really watching him but she knew what he had done because she heard the ice cubes falling back against the bottom of the empty glass when he lowered his arm. He paused a moment, leaning forward in the chair, then he got up and went slowly over to fetch himself another.

‘I’ll get it!’ She cried, jumping up.

‘Sit down,’ he said.

When he came back, she noticed that the drink was dark amber with the quantity of whisky in it.

‘Darling, shall I get your slippers?’

‘No.’

She watched him as he began to sip the dark yellow drink, and she could see little oily swirls in the liquid because it was so strong.

‘I think it’s a shame,’ she said, ‘that when a policeman gets to be as senior as you, they keep him walking about on his feet all day long.’

He didn’t answer, so she bent her head again and went on with her sewing; but each time he lifted the drink to his lips, she heard the ice cubes clinking against the side of the glass.

‘Darling,’ she said. ‘Would you like me to get you some cheese? I haven’t made any supper because it’s Thursday.’

‘No,’ he said.

‘If you’re too tired to eat out,’ she went on, ‘it’s still not too late. There’s plenty of meat and stuff in the freezer, and you can have it right here and not even move out of the chair.’

Her eyes waited on him for an answer, a smile, a little nod, but he made no sign.

‘Anyway,’ she went on, ‘I’ll get you some cheese and crackers first.’

‘I don’t want it,’ he said.

She moved uneasily in her chair, the large eyes still watching his face. ‘But you must have supper. I can easily do it here. I’d like to do it. We can have lamp chops. Or pork. Anything you want. Everything’s in the freezer.’

‘Forget it,’ he said.

‘But darling, you must eat! I’ll fix it anyway, and then you can have it or not, as you like.’

She stood up and placed her sewing on the table by the lamp.

‘Sit down,’ he said. ‘Just for a minute, sit down.’

It wasn’t till then that she began to get frightened.

‘Go on,’ he said. ‘Sit down.’

She lowered herself back slowly into the chair, watching him all the time with those large, bewildered eyes. He has finished the second drink and was staring down into the glass frowning.

‘Listen,’ he said, ‘I’ve got something to tell you.’

‘What is it, darling? What’s the matter?’

He had become absolutely motionless, and he kept his head down so that the light form the lamp beside him fell across the upper part of his face, leaving the chin and mouth in shadow. She noticed there was a little muscle moving near the corner of his left eye.

‘This is going to be a bit of a shock to you, I’m afraid,’ he said. ‘But I’ve thought about it a good deal and I’ve decided the only thing to do is tell you right away. I hope you won’t blame me too much.’

And he told her. It didn’t take long, four or five minutes at most, and she sat very still through it all, watching him with a kind of dazed horror as he went further and further away from her with each word.

‘So there it is,’ he added. ‘And I know it’s kind of a bad time to be telling you, but there simply wasn’t any other way. Of course I’ll give you money and see you’re looked after. But there needn’t really be any fuss. I hope not anyways. It wouldn’t be very good for my job.’

Her first instinct was not to believe any of it, to reject it all. It occurred to her that perhaps he hadn’t even spoken, that she herself had imagined the whole thing. Maybe, if she went about her business and acted as though she hadn’t been listening, then later, when she sort of woke up again, she might find none of it had ever happened.

‘I’ll get the supper,’ she managed to whisper, and this time he didn’t stop her.

When she walked across the room she couldn’t feel her feet touching the floor. She couldn’t feel anything at all – except a slight nausea and a desire to vomit. Everything was automatic now – down the stairs to the cellar, the light switch, the deep freeze, then hand inside the cabinet taking hold of the first object it met. She lifted it out, and looked at it. It was wrapped in paper, so she took off the paper and looked at it again.

A leg of lamb.

All right then, they would have lamb for supper. She carried it upstairs, holding the thin bone=end of it with both her hands, and as she went through the living room, she saw him standing over by the window with his back to her, and she stopped.

‘For God’s sake,’ he said, hearing her, but not turning round, ‘Don’t make supper for me. I’m going out.’

At that point, Mary Maloney simply walked up behind him and without any pause she swung the big frozen leg of lamb high in the air and brought it down as hard as she could on the back of his head.

She might just as well have hit him with a steel club.

She stepped back a pace, waiting, and the funny thing was that he remained standing there for at least four of five seconds, gently swaying. Then he crashed to the carpet.

Have you read this book? I’d love to hear your thoughts in a comment below!

Someone Like You – Summary

Here is the book summary:

In Someone Like You are fifteen classic tales told by the grand master of the short story, Roald Dahl.

Here, in Roald Dahl’s first collection of his world famous dark and sinister adult stories, a wife serves a dish that baffles the police; a harmless bet suddenly becomes anything but; a curious machine reveals a horrifying truth about plants; and a man lies awake waiting to be bitten by the venomous snake asleep on his stomach.

Through vendettas and desperate quests, bitter memories and sordid fantasies, Roald Dahl’s stories portray the strange and unexpected, sending a shiver down the spine.

Copyright © 1953 by Roald Dahl.

You can find more details here on Goodreads and on StoryGraph.

Those eyes become the sky

This is a quote from the book Apple & Knife by Intan Paramaditha, translated by Stephen J. Epstein.

Quote by Intan Paramaditha, “She seems almost to smile, but no smile is reflected in her grey eyes. Gita watches as those eyes become the sky. Clouds gather within, they let loose rain, but no thunder.”

Have you read this book? I’d love to hear your thoughts in a comment below!

If you’re interested, you can read an excerpt from the book here.

Apple & Knife – Summary

Here is the book summary from Goodreads:

Inspired by horror fiction, myths and fairy tales, Apple and Knife is an unsettling ride that swerves into the supernatural to explore the dangers and power of occupying a female body in today’s world.

These stories set in the Indonesian everyday – in corporate boardrooms, in shanty towns, on dangdut stages – reveal a soupy otherworld stewing just beneath the surface. This is subversive feminist horror at its best, where men and women alike are arbiters of fear, and where revenge is sometimes sweetest when delivered from the grave.

Dark, humorous, and vividly realised, Apple and Knife brings together taboos, inversions, sex and death in a heady, intoxicating mix.

Note: It’s important to understand that some stories require a trigger warning.

Copyright © 2018 by Intan Paramaditha.

Translated by: Stephen J. Epstein

More details can be found here on Goodreads and on Storygraph.

People speak of her only in whispers

Excerpt from Apple & Knife by Intan Paramadith

Photo by Trang Nguyen on Unsplash

This is an excerpt from the book Apple & Knife by Intan Paramaditha, translated by Stephen J. Epstein.

‘What’s a nice girl like you doing in a place like this?’

Gita sees the woman for the first time. Her face is hard, cheekbones high, jaw sharp. Her sallow, mottled skin does little more than mask her wispy frame. Cheap batik is draped haphazardly around her waist, and a black kebaya and black headscarf render her even more sombre. As soon as she draws near, Gita catches an odd, pungent odour. It’s not human sweat but fragrant cloves from a distant realm, incense for departed souls, stiff bodies bathed in flowers before being placed into the grave.

No scent of life wafts from the abode. Its distance from the city and its seclusion should have freshened the house but the owner cares little for vegetation. Brown curtains dangle in the windows. Branches of frangipani shade the yard, making the sun reluctant to greet the weeds spreading on the ground. A dark fence, peeling and rusty, serves as a barrier between the house and the outside world.

Like a snail in a shell, shunning interaction.

And rightly so. The woman now in front of Gita is notorious in her hometown, which is nestled up against the cliffs of Cadas Pangeran. People speak of her only in whispers. Sumarni. A witch. A sorceress allied with the devil. A second Mak Lampir, the evil conjurer. Yes, Lord, may she not find forgiveness.

Gita realises that the woman is waiting for her to answer.

‘I’m doing research,’ says Gita, trying to conceal her nervous ness, and to convey and attitude of respect. ‘Of course, your name and place of residence will be disguised.’

The wrinkled woman squints and regards her coldly. ‘That is necessary.’

Her eyes probe, trying to confirm that Gita hasn’t smuggled in a camera or some other recording device. Maybe the women has lost a substantial sum buying off the police. Or maybe she is irritated because most visitors take advantage of her. Recently, a TV crew came from Jakarta to interview her as a source for a crime drama. They broadcast her later in blurred black and white, masking her eyes with a thick strip. The episode’s title? ‘The Dark Side of Women.’

Gita enquires delicately about the woman’s profession. What it is that she does. How long she has been… practising it.

Embarrassed, Gita does not utter the phrase that dances in her thoughts: disposing of life. It sounds like a mantra of the damned.

The old woman’s lips are clamped shut, even though she has already worked out the situation. She knows what people expect of her. The mark is on her forehead, a bright red stamp that will never disappear.

‘I’ve been doing this for a long time,’ she says, slowly and heavily. ‘Maybe thirty years. Maybe more.’

It’s as if time is gnawed away by termites here. The hours melt into the night, and the tick of the clock no longer matters.

‘Why do they do it?’

‘They don’t want to, child, but nature punishes those who give in to lust. They can’t control themselves: their eyes, their fingers, their breath, their womb. They are like leaves that yellow, dry up, and fall to the ground.’

‘I don’t understand.’

‘Ah, no one tries to understand.’

‘Why do you do it?’

Sumarni’s lips turn up slightly at the corners. She seems almost to smile, but no smile is reflected in her grey eyes. Gita watches as those eyes become the sky. Clouds gather within, they let loose rain, but no thunder.

‘Child, for the sake of one life, sometimes you have to extinguish another. Some birds must destroy themselves in flame to give birth to a new generation. We consider it natural, even noble, to be born to sacrifice. Like Sinta in the Ramayana. And therein lies your value. You never knew, child, that dead birds surround you, breathing the same air as you. They look alive, but maggots, invisible to the eye, gnaw their rotting flesh. They are only present as givers of life; like water, sometimes polluted, which gushes forth continuously formless. Water can only mould itself to the vessel.

‘And I, child, I have indeed been an ally of the devil. Because I know that some birds don’t want to destroy themselves in flames. I know that there are waters that simply want to freeze rather than become wellsprings for the sake of a stillness that they have never known.’

Have you read this book? I’d love to hear your thoughts in a comment below!

Apple & Knife – Summary

Here is the book summary from Goodreads:

Inspired by horror fiction, myths and fairy tales, Apple and Knife is an unsettling ride that swerves into the supernatural to explore the dangers and power of occupying a female body in today’s world.

These stories set in the Indonesian everyday – in corporate boardrooms, in shanty towns, on dangdut stages – reveal a soupy otherworld stewing just beneath the surface. This is subversive feminist horror at its best, where men and women alike are arbiters of fear, and where revenge is sometimes sweetest when delivered from the grave.

Dark, humorous, and vividly realised, Apple and Knife brings together taboos, inversions, sex and death in a heady, intoxicating mix.

Note: It’s important to understand that some stories require a trigger warning.

Copyright © 2018 by Intan Paramaditha.

Translated by: Stephen J. Epstein

More details can be found here on Goodreads and on Storygraph.

Beloved Uncle

This is a quote from the book Earthlings by Sayaka Murata, translated by Ginny Tapley Takemori.

Quote by Sayaka Murata, “The tensions of meeting after such a long time was beginning to dissipate, and I could feel the beloved uncle who had always spoiled me as a kid coming through.”

Have you read this book? I’d love to hear your thoughts in a comment below!

If you’re interested, you can read an excerpt from the book here.

Earthlings – Summary

Here is the book summary from Goodreads:

Natsuki isn’t like the other girls. She has a wand and a transformation mirror. She might be a witch, or an alien from another planet. Together with her cousin Yuu, Natsuki spends her summers in the wild mountains of Nagano, dreaming of other worlds. When a terrible sequence of events threatens to part the two children forever, they make a promise: survive, no matter what.

Now Natsuki is grown. She lives a quiet life with her asexual husband, surviving as best she can by pretending to be normal. But the demands of Natsuki’s family are increasing, her friends wonder why she’s still not pregnant, and dark shadows from Natsuki’s childhood are pursuing her. Fleeing the suburbs for the mountains of her childhood, Natsuki prepares herself with a reunion with Yuu. Will he still remember their promise? And will he help her keep it?

Copyright © 2018 by Sayaka Murata.

Translated by: Ginny Tapley Takemori

More details here on Goodreads and on Storygraph.

Welcome to Akishina!

Excerpt from Earthlings by Sayaka Murata

Photo by Jack Anstey on Unsplash

This is an excerpt from the book Earthlings by Sayaka Murata, translated by Ginny Tapley Takemori.

Uncle Teruyoshi was waiting at the ticket gate when we arrived at Nagano Station.

“Thank you for going to the trouble of coming out to meet us,” I said.

His hair was now completely white, and for a moment I didn’t recognize him. The figure waving to me and calling out “Natsuki!” looked more like my grandfather than the uncle I’d known twenty-three years before.

“I’ve heard all about Akishina from Natsuki. Being able to actually go there is like a dream come true! Thank you so much.”

“Oh, the pleasure is all mine. These days it’s what you call a critically depopulated village, with lots of empty houses. It’s a bit bleak, really. Grandpa will be happy that you youngsters have come all this way to pay him a visit.”

Uncle Teruyoshi looked smaller than I remembered. I’d probably also grown a bit since elementary school, but I didn’t think that was the only reason.

“Shall we go and have lunch somewhere? Once we get to Akishina, there’s no stores or eateries or anything, so it’s best to do some shopping for food before we go.”

“Thank you, but we already brought pretty much everything we need with us,” I said, showing him the big bag I was carrying over my shoulder.

“You haven’t changed at all, Natsuki. You always were well prepared,” he said with a smile.

“Do you mind if I go to the bathroom before we set off?” my husband asked.

As he ran off to find the bathroom, Uncle Teruyoshi said, it’s quite a bit cooler here than in Tokyo, isn’t it? You can wait inside the car if you like.”

“No, I’m fine. I also anticipated that and brought a coat with me.”

“You did? I guess you know the Akishina weather well, too, Natsuki,” he said, the corners of his eyes crinkling. “I told Yuu that you were coming. He himself said it would be better if he stayed somewhere else, but it’s not easy at such short notice.”

“I’m sorry to have caused such a fuss.”

“No, it’s fine. That house had been lying empty ever since Granny died and was a bit desolate. There had been talk of demolishing it since it’s so run-down, so I was happy when Yuu said he wanted to stay there. It somehow felt a bit like the old days. The two of you always did love that house, didn’t you?” Uncle murmured, narrowing his eyes as he reeled in the memories. Then he looked down. “I felt really bad about what happened back then, you know.”

I looked at him in surprise.

“You were both just children and didn’t know any better. And all of us adults totally overreacted. We tried to put a lid on it to cover it up. Adults are so violent and overbearing, they really are.”

“Not at all…well now that I’ve grown up I can understand the circumstances better. You didn’t do anything wrong, Uncle Teruyoshi.”

“Does your husband know about what happened? Sorry if I’m sticking my nose in where it’s not wanted.”

“You don’t need to worry about him,” I said flatly.

He looked a little relieved and smiled. “You married well, didn’t you?”

“Are you okay? You don’t look too good,” I said to my husband.

“I’ll be okay,” he groaned, holding a handkerchief over his mouth.

Uncle Teruyoshi drove skillfully around the hairpin bends. The mountain road was steeper and narrower than I remembered, with a cliff dropping off to one side, and there weren’t any guard rails. Every time we went around a curve, our bottoms slid over the back seat and squashed our bodies against each other.

“It’s tough for people who aren’t used to it. Shall I stop somewhere for a rest?”

“No, I’m okay.”

“Really? If you can cope, then it’s definitely better to get it over and done with. These bends are really hard to deal with when you don’t know them. Are you doing okay, Natsuki?”

“Yes, I’m fine,” I said bravely, although actually I was feeling quite uneasy about falling off the edge. I didn’t want Uncle to think I’d gone soft living in the metropolis and had forgotten how wild the Akishina mountains were.

“You haven’t changed at all, have you, Natsuki?” Uncle said, looking pleased.

The tensions of meeting after such a long time was beginning to dissipate, and I could feel the beloved uncle who had always spoiled me as a kid coming through.

“Just three more bends to go, and we’ll be there. Hold on just a bit longer!”

Leaves scratched against the window. I had the feeling that the greenery was pressing in on us with a greater intensity than it had long ago. I was up against the window gazing at the trees like I’d done as a child. We climbed up and up the unfamiliar winding tunnel of green until my ears started popping painfully, then suddenly the vista opened out before us.

“We’re here! Natsuki and Tomoya, welcome to Akishina!” he announced, bringing tears to my eyes.

And there, just beyond the familiar small red bridge, was the Akishina that I had replayed in my mind time and time again over the years.

Have you read this book? I’d love to hear your thoughts in a comment below!

Earthlings – Summary

Here is the book summary from Goodreads:

Natsuki isn’t like the other girls. She has a wand and a transformation mirror. She might be a witch, or an alien from another planet. Together with her cousin Yuu, Natsuki spends her summers in the wild mountains of Nagano, dreaming of other worlds. When a terrible sequence of events threatens to part the two children forever, they make a promise: survive, no matter what.

Now Natsuki is grown. She lives a quiet life with her asexual husband, surviving as best she can by pretending to be normal. But the demands of Natsuki’s family are increasing, her friends wonder why she’s still not pregnant, and dark shadows from Natsuki’s childhood are pursuing her. Fleeing the suburbs for the mountains of her childhood, Natsuki prepares herself with a reunion with Yuu. Will he still remember their promise? And will he help her keep it?

Copyright © 2018 by Sayaka Murata.

Translated by: Ginny Tapley Takemori

More details here on Goodreads and on Storygraph.

Water yearns toward air

This is a quote from the book Our Wives Under the Sea by Julia Armfield.

Quote by Julia Armfield, “There’s a point between the sea and the air that is both and also not quite either. Does that make sense? I’m talking about the point at the very top of the ocean that is constantly evaporating and condensing, where water yearns toward air and air yearns toward water. I think about this sometimes, that middle place, the struggle of one thing twisting into another and back again.”

Have you read this book? I’d love to hear your thoughts in a comment below!

If you’re interested, you can read an excerpt from the book here.

Our Wives Under the Sea – Summary

Here is the book summary:

Miri thinks she has got her wife back, when Leah finally returns after a deep-sea mission that ended in catastrophe. It soon becomes clear, though, that Leah is not the same. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has brought part of it back with her, onto dry land and into their home.

Moving through something that only resembles normal life, Miri comes to realize that the life that they had before might be gone. Though Leah is still there, Miri can feel the woman she loves slipping from her grasp.

Our Wives Under The Sea is the debut novel from Julia Armfield, the critically acclaimed author of Salt Slow. It’s a story of falling in love, loss, grief, and what life there is in the deep deep sea.

Copyright © 2022 by Julia Armfield.

You can find more details here on Goodreads and on StoryGraph.

The ocean is unstill

Excerpt from Our Wives Under the Sea by Julia Armfield

Photo by Jeremy Bishop on Unsplash

This is an excerpt from the book Our Wives Under the Sea by Julia Armfield.

The deep sea is a haunted house: a place in which things that ought not to exist move about in the darkness. Unstill is the word Leah uses, tilting her head to the side as if in answer to some sound, though the evening is quiet—dry hum of the road outside the window and little to draw the ear besides.

“The ocean is unstill,” she says, “farther down than you think. All the way to the bottom, things move.” She seldom talks this much or this fluently, legs crossed and gaze toward the window, the familiar slant of her expression, all her features slipping gently to the left. I’m aware, by now, that this kind of talk isn’t really meant for me, but is simply a conversation she can’t help having, the result of questions asked in some closed-off part of her head. “What you have to understand,” she says, “is that things can thrive in unimaginable conditions. All they need is the right sort of skin.”

We are sitting on the sofa, the way we have taken to doing in the evenings since she returned last month. In the old days, we used to sit on the rug, elbows up on the coffee table like teenagers, eating dinner with the television on. These days she rarely eats dinner, so I prefer to eat mine standing up in the kitchen to save on mess. Sometimes, she will watch me eat and when she does this I chew everything to a paste and stick my tongue out until she stops looking. Most nights, we don’t talk—silence like a spine through the new shape our relationship has taken. Most nights, after eating, we sit together on the sofa until midnight, then I tell her I’m going to bed.

When she talks, she always talks about the ocean, folds her hands together and speaks as if declaiming to an audience quite separate from me. “There are no empty places,” she says, and I imagine her glancing at cue cards, clicking through slides. “However deep you go,” she says, “however far down, you’ll find something there.”

I used to think there was such a thing as emptiness, that there were places in the world one could go and be alone. This, I think, is still true, but the error in my reasoning was to assume that alone was somewhere you could go, rather than somewhere you had to be left.

Have you read this book? I’d love to hear your thoughts in a comment below!

Our Wives Under the Sea – Summary

Here is the book summary:

Miri thinks she has got her wife back, when Leah finally returns after a deep-sea mission that ended in catastrophe. It soon becomes clear, though, that Leah is not the same. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has brought part of it back with her, onto dry land and into their home.

Moving through something that only resembles normal life, Miri comes to realize that the life that they had before might be gone. Though Leah is still there, Miri can feel the woman she loves slipping from her grasp.

Our Wives Under The Sea is the debut novel from Julia Armfield, the critically acclaimed author of Salt Slow. It’s a story of falling in love, loss, grief, and what life there is in the deep deep sea.

Copyright © 2022 by Julia Armfield.

You can find more details here on Goodreads and on StoryGraph.